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Then too Walt Whitman claims to be the poet, not of the past or even only of the present, but the singer of the future. He says in The Backward Glance, which I have already quoted, and which must be carefully read by anyone who wishes to understand his work--at least in so far as he understood it himself,--"Isolated advantages in any rank or grace or fortune--the direct or indirect threads of all the poetry of the past--are in my opinion distasteful to the republican genius. . . . Established poems, I know, have the very great advantage of chanting the already performed, so full of glories, reminiscences dear to the minds of men." And he says too that, "The educated world seems to have been growing more and more ennuied for ages, leaving to our time the inheritance of it all." And he further says: "The ranges of heroism and loftiness with which Greek and feudal poets endow'd their godlike or lordly born characters, I was to endow the democratic averages of America. I was to show that we, here and to-day, are eligible to the grandest and the best--more eligible now than any times of old were."

This Jamestown row house is probably the most impressive foundation on the island. It is 16 feet long and 20 feet wide (inside measurement), situated east of the Tercentenary Monument, facing south, well back from the river and "the back streete." A cellar and a great fireplace terminate the east end, and 9 other fireplaces are evident in 4 main divisions, which may have housed one family or more in each division. Since artifact evidence relates it to the last quarter of the 17th century, and possibly the beginning of the 18th, there would seem little possibility of the row house having served as a public building or a tavern. There is some evidence that at least part of the structure burned.

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